Give beauty back to God, beauty’s self and beauty’s giver



A striking line
in Gerard Manley Hopkins’ poem “The Leaden Echo and the Golden Echo,” “Give
beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s
giver.”  English Jesuit priest Gerard Manley Hopkins
(1844-1889) was renowned for his use of Blessed John Duns Scotus’ theology
and his creative use of language and rhythm (notice Hopkins’ characteristic
stresses on certain words).

The Leaden Echo and the Golden Echo

(Maiden’s song
from St. Winefred’s Well)

The Leaden Echo

How to kéep–is there ány any, is
there none such, nowhere known some, bow or 

brooch or braid or brace, láce,
latch or catch or key to keep


Back beauty, keep it, beauty, beauty, beauty, …
from vanishing away?

Ó is there no frowning of these wrinkles, rankéd wrinkles
deep,

Dówn? no waving off of these most mournful messengers, still 

messengers,
sad and stealing messengers of grey?


No there ‘s none, there ‘s none, O no
there ‘s none,

Nor can you long be, what you now are, called fair,


Do what you
may do, what, do what you may,


And wisdom is early to despair:

Be beginning;
since, no, nothing can be done

To keep at bay

Age and age’s evils, hoar
hair,

Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs
and worms and

tumbling to decay;

So be beginning, be beginning to despair.

O
there ‘s none; no no no there ‘s none:

Be beginning to despair, to
despair,

Despair, despair, despair, despair.


The Golden Echo
  

       Spare!

There ís one, yes I have one (Hush there!);

Only not within seeing of the sun,

Not within the singeing of the strong sun,

Tall sun’s tingeing, or treacherous the tainting of the earth’s air,

Somewhere elsewhere there is ah well where! one,

Oné. Yes I can tell such a key, I do know such a place,

Where whatever’s prized and passes of us, everything that ‘s fresh and fast flying of us, seems

to us sweet of us and swiftly away with, done away with, undone,

Undone, done with, soon done with, and yet dearly and dangerously sweet

Of us, the wimpled-water-dimpled, not-by-morning-matchèd face,

The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,

Never fleets móre, fastened with the tenderest truth

To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace–

Resign them, sign them, seal them, send them, motion them with breath,

And with sighs soaring, soaring síghs deliver

Them; beauty-in-the-ghost, deliver it, early now, long before death

Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.

See; not a hair is, not an eyelash, not the least lash lost; every hair

Is, hair of the head, numbered.

Nay, what we had lighthanded left in surly the mere mould

Will have waked and have waxed and have walked with the wind what while we slept,

This side, that side hurling a heavyheaded hundredfold

What while we, while we slumbered.

O then, weary then why

When the thing we freely fórfeit is kept with fonder a care,

Fonder a care kept than we could have kept it, kept

Far with fonder a care (and we, we should have lost it) finer, fonder

A care kept.–Where kept? Do but tell us where kept, where.–

Yonder.–What high as that! We follow, now we follow.–Yonder, yes yonder, yonder,

Yonder.

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